Monday, 21 October 2013
Paying homage to the garden
I thought I would document a few things
in the garden in case I lose them in the fires.
Lots of favourites are just coming into bud
and it is that time of the year when everything
is about to grow and flourish.
I do hope I don't lose them.
Saturday, 19 October 2013
Just a little HOT around the collar
If you are reading this post from far away like
India, UK, USA, Russia or China,
as I know I have some readers from far and wide,
you may not have not heard this week has been full of fire
here in the Blue Mountains, NSW.
The fires are a fair distance from us
but the effect on the community is devastating.
To date in NSW
More than 200 properties have now
been confirmed destroyed
been confirmed destroyed
following this week’s devastating fire emergency.
In total, 208 homes have been destroyed, 122 damaged.
I can't help but feel deeply for all those who have been both
directly and indirectly impacted by this disaster.
We keep hearing of people we know who have lost
everything and that will continue I am sure over the
next few weeks as everyone knows everyone
in the mountains.
While we are safe now, there is no way of knowing
what will happen in the following hot days. So it is a time
to be getting ready for the worst and hoping for the best.
I have found I have been using my art to take
my mind off the fires and have got quite a bit done.
Strange but true.
I have a little project making a stoneware vinegar jar
for my dear friend Beatrice in Auckland.
Not sure if I am getting it right yet.
What do you think Beatrice?
This one has two trees embracing in friendship across the skies.
It is a combination of hand built and thrown.
Hope it will work in the firing.
The hole is for this lovely little wooden tap
that I found on eBay and to my surprise
when it arrived it had come from Romania.
Hope it all works in the end.
But if it doesn't I will try again :)
Iris paper
Bleached banana
Natural banana
So tomorrow we will put a sprinkler system onto the roof.
The next couple of days are supposed to be
hot and windy so the fires will haunt our thoughts.
If I was a well organised potter
I would have a whole lot of pots suitable for
a pit fire all ready for firing.
Then I could have loaded up the pit in case a fire
came this way and instead of losing everything
I could have had some nice pots to return to.
But of course I haven't got any.
This week I will try to work on some stoneware platters
and a batch of agapanthus paper
and I can also take my mind off things by looking
at the many clay lovers posts at Mud Colony
Friday, 11 October 2013
A return to the real world
Why is it that after a climax in a work experience
we often have a period of feeling flat?
As my friend Tony would say there is only one place
to go when you have been so high on Hype and that's down.
Ha ha ha thanks Tony :D
As my friend Tony would say there is only one place
to go when you have been so high on Hype and that's down.
Ha ha ha thanks Tony :D
I have spent this week recuperating in the garden.
It is a good grounding, soothing and reflecting place to work.
I am a bit of a hermit by choice and my week at WOW
is always a wonderful contrast to that.
I spend my time in NZ with wall to wall
friends to catch up with.
I love it!
I always return exhausted but happy.
On returning I tend to reflect on my work
and the work of others.
I am always harsh on myself in this regard.
That's where the flat feeling comes in.
Better keep busy.
Before I left I had an unsuccessful firing
which will means a re glaze of everything.
I think the frit I used has changed and the recipe
is just not behaving itself
I am finding my glaze process so
frustrating!
I am really looking forward to addressing this at uni next year.
However the little gem that did come out of this firing
is this
is this
I know it doesn't look like much
but this clay is a wonderful colour in my books.
I fired to 1200 and it coped fine
I think it may even go to porcelain temps.
What is it?
I dug it in out back NSW
on the banks of the Darling River.
Too beautiful.
Today, as I garden,
I am making paper
I am making paper
from my irises that have been
drying and waiting for me.
drying and waiting for me.
I harvested them last year.
This years are nearly ready to harvest
So it must be time to turn the old ones into some lovely fibre
for drawing, collage and cards.
It is a special process for me as these
plants are from my late mums garden/pond
and it always feels so connected with her
when I make paper with them.
It would be her 92nd birthday
this month if she was still alive.
They are watered with our grey water
so it is a great bit of Eco art for me.
Next week I will be back into my ceramics
so in the mean time I will have a peek at the
Mud Colony potters blogs to get some inspiration
Tuesday, 1 October 2013
The making of 'Forbidden Fruits - Red Yellow Blue'
Wearable Art is a labour of love
There is no two ways about it.
You have to have the bug,
the passion,the obsession
and to be crazy enough to spend
this much time on a work
that will never give a financial equivalence
to the amount of time and money in materials
that goes into these creations.
However the friendships that are forged
and the excitement that comes with seeing
the works in their finished form
and performing with other artists work
and performing with other artists work
from around the world is something
that is beyond money.
Here is a bit about my work process for 'Forbidden Fruit -Red Yellow Blue'
I decided to enter the
Gen I - Creative Excellence Section
The theme for this section this year
was Art Forms in Nature - be inspired
Well I looked him up and I was inspired.
Below is the Earnst Haeckel picture
that I based my piece on.
I started with my red piece.
I combined these with some clear plastic
loose leaf pages and chocolate wrappers
for sparkle
and some used tea bags.
These were all layered,
hand stitched and machine embroidered until
they became a fabric like media.
I pieced them together and added
a fringe of tooth picks and
basketed one of my hand made cords
around the edge just to make it a little
less spiky for the model.
loose leaf pages and chocolate wrappers
for sparkle
and some used tea bags.
These were all layered,
hand stitched and machine embroidered until
they became a fabric like media.
I pieced them together and added
a fringe of tooth picks and
basketed one of my hand made cords
around the edge just to make it a little
less spiky for the model.
Inside is dyed and pleated silk
and Turkish lace around the face
The cords in the collar and the dress
are metres and meters long.
are metres and meters long.
To make these I fed a combination
of fishing line, silk yarn
and shredded sari silk
into the machine, twining them
together as I stitched.
Many needles were broken
and many fingers stitched...OUCH!
At the final photo shoot
Mara plaited Suse's hair with yarn
to match the corded collar.
The dress fabric on 'Red' is a woven vintage rayon
dyed with MX dye .
The lining inside the dresses of
'Red' (left) and 'Yellow' (right)
is MX dyed cotton
I had to submit photos for the
first judging round
but we couldn't organise a
shoot before the deadline.
3 busy models and a
sort after photographer
are hard to co-ordinate!
So I took some rough photos
on mannequins outside the studio.
My rough photography
must have been good enough.
With many, many, many
hours spent on the 'Red'
I was running close to the wind
for getting the next two garments completed.
Why did I do three?
For a start sea creatures often travel as a school.
But for me there is also a delight in
photographing my beautiful family
(and some times friends) in my work.
This year was about having a set of photos
with my daughter and two daughter in-laws together.
The person modelling is always a consideration
I regard them as a major part of the design.
For instance I designed 'Yellow' with holes
that make the most of Emma's tattoos at her navel
and also on her feet
The dress is silk that I have shibori dyed
with silk dyes from Beautiful Silks
to get the colour and the form in the cloth.
The top of the hat is, like 'Red',
made of paper shopping bags layered and stitched.
The underside is off cuts of fabric stitched onto
loose leaf plastic sleeves and
melted back leaving holes
to see the dyed silk inside the hat
'Blue' (a blue bottle)
was left with the least amount
of time to complete by the deadline.
If I hadn't particularly wanted
these three girls in the shoot together
I may well have left the entry as one costume.
was left with the least amount
of time to complete by the deadline.
If I hadn't particularly wanted
these three girls in the shoot together
I may well have left the entry as one costume.
But I was on a mission!
I WOULD get them done!
Once again the silk was bought from
Beautiful Silks and dyed with their dyes
shredded, embroidered and shaped with fishing line.
The hat, like the underside of 'Yellow',
was fabric layered and stitched
on plastic loose leaf sleeves
then melted and appliqued with felt yarn
Mission accomplished!
Another wonderful WOW experience
Beautiful Silks and dyed with their dyes
shredded, embroidered and shaped with fishing line.
The hat, like the underside of 'Yellow',
was fabric layered and stitched
on plastic loose leaf sleeves
then melted and appliqued with felt yarn
Another wonderful WOW experience
Subscribe to:
Posts (Atom)